Klatzke
04/30/08, 11:17 AM
Oceana - The Tide
Record Label: Rise Records
Release Date: March 4, 2008
It seems to me that the quickest growing label right about now would be Rise Records. While some of their bands are starting to grow in popularity, (i.e. The Devil Wears Prada), they continue to recruit smaller bands at an almost alarming pace. Some of these bands completely flop by copying the same formula that worked for bands like The Devil Wears Prada or Drop Dead Gorgeous, and some of them stand out. When I first saw that Rise had recruited Oceana, I was skeptical, but after a quick listen I realized the band's music was something different than a played out formula. It didn't take me long to go and buy the album, and it hasn't left my playlist since.
Simply put, The Tide is a work of art. While Oceana have their share of breakdowns, they don't overdo it. The musicianship is pretty spectacular, and the vocals coordinate with the music perfectly. While one vocalist screams/growls (it seems to shift between two different sounds), the other vocalist sings, and there are a couple gang vocal lines. It isn't often that hardcore bands can add in vocals/chants without it seeming forced or taking away from the flow of the song, however, Oceana bring them in perfectly.
After about a minute and a half of introduction the album starts with the powerful opener "The Accountable." This track starts off with a powerful screamed line and then immediately flows into the lighter side of their vocals with the chorus. The two standout tracks are "The Tide" and "Hello, Astronaut." "The Tide" opens with another powerful scream, and then showcases one of the most powerful breakdowns on the album. The rest of the song alternates screaming with a couple of short instrumental breaks. "Hello, Astronaut" opens with the powerfully screamed lines, "It's hard to breathe when you're choking yourself / It's hard to see through eyes misleading," some of the most memorable and powerful lines of the album.
While it may have some of the characteristics of many other albums of its genre, The Tide stands out as a powerful statement to the hardcore community. At its hardest points Oceana's music still seems somehow uplifting, and at its most melodic, it still seems hard. They've struck a delicate balance between melody and hardcore, and it's just what I've been waiting for.
Burden of a Day's Blessed Be Our Ever After, Destroy the Runner's Saints, Alexisonfire's Crisis, As Cities Burn's Son, I Loved You at Your Darkest
myspace.com/oceanafl (http://www.myspace.com/oceanafl)
Record Label: Rise Records
Release Date: March 4, 2008
It seems to me that the quickest growing label right about now would be Rise Records. While some of their bands are starting to grow in popularity, (i.e. The Devil Wears Prada), they continue to recruit smaller bands at an almost alarming pace. Some of these bands completely flop by copying the same formula that worked for bands like The Devil Wears Prada or Drop Dead Gorgeous, and some of them stand out. When I first saw that Rise had recruited Oceana, I was skeptical, but after a quick listen I realized the band's music was something different than a played out formula. It didn't take me long to go and buy the album, and it hasn't left my playlist since.
Simply put, The Tide is a work of art. While Oceana have their share of breakdowns, they don't overdo it. The musicianship is pretty spectacular, and the vocals coordinate with the music perfectly. While one vocalist screams/growls (it seems to shift between two different sounds), the other vocalist sings, and there are a couple gang vocal lines. It isn't often that hardcore bands can add in vocals/chants without it seeming forced or taking away from the flow of the song, however, Oceana bring them in perfectly.
After about a minute and a half of introduction the album starts with the powerful opener "The Accountable." This track starts off with a powerful screamed line and then immediately flows into the lighter side of their vocals with the chorus. The two standout tracks are "The Tide" and "Hello, Astronaut." "The Tide" opens with another powerful scream, and then showcases one of the most powerful breakdowns on the album. The rest of the song alternates screaming with a couple of short instrumental breaks. "Hello, Astronaut" opens with the powerfully screamed lines, "It's hard to breathe when you're choking yourself / It's hard to see through eyes misleading," some of the most memorable and powerful lines of the album.
While it may have some of the characteristics of many other albums of its genre, The Tide stands out as a powerful statement to the hardcore community. At its hardest points Oceana's music still seems somehow uplifting, and at its most melodic, it still seems hard. They've struck a delicate balance between melody and hardcore, and it's just what I've been waiting for.
Burden of a Day's Blessed Be Our Ever After, Destroy the Runner's Saints, Alexisonfire's Crisis, As Cities Burn's Son, I Loved You at Your Darkest
myspace.com/oceanafl (http://www.myspace.com/oceanafl)