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Concert Review - Brand New w/ Thrice, mewithoutYou @ The Wiltern (11.3-11.4)
|Concert Review - Brand New w/ Thrice, mewithoutYou @ The Wiltern (11.3-11.4)|
11/09/07 at 02:37 AM by Jonathan Bautts
|With each of their respective discographies, Brand New and Thrice have constantly reinvented their sound and pushed musical boundaries, leading them to become two of the most respected bands in today’s music scene. Last weekend, they each brought their dynamic live show to the Wiltern for a three-night stand — the first two of which I saw — and, with help from indie rock guru mewithoutYou, put on arguably the best concert I’ve seen this year.|
MewithoutYou’s unique sound, which oftentimes consists of more speaking than singing from lead singer Aaron Weiss, translated remarkably in the live setting. Over the course of half an hour, the band’s high level of energy amid fine musicianship was clear from watching Weiss and his unpredictable behavior, which ranged from running wildly around the stage to playing an assortment of instruments, including tambourine, maracas, accordion and acoustic guitar. The songs, about half of which were from last year’s Brother, Sister, frequently blended into one another, feeling like a series of separate movements in an epic composition.
Orange County’s Thrice was simply flawless. Playing a shade under an hour, they showcased a nice mixture of old and new material, including five songs off of last month’s The Alchemy Index. The new songs sounded fantastic, from the blazing “Firebreather” and “Burn The Fleet” to the airy electronics of “Digital Sea” and “Open Water,” which was particularly impressive to see pulled off live.
Former Biola student Dustin Kensrue’s voice was spot on, and the entire band never missed a beat, revealing their exceptional skill as musicians. Fan favorites “Deadbolt,” “Stare At The Sun” and “The Artist In The Ambulance” were all precisely executed, with other standouts being “Silhouette,” “Red Sky” and “The Earth Will Shake.” The latter was the perfect song to end with, and its intense finale was a sight to see.
Closing it out was Brand New, who went for 90 minutes and were expectedly incredible. On the first night, they played everything from 2006’s album of the year, The Devil And God Are Raging Inside Me, and only three old songs — “The Shower Scene,” “Okay I Believe You, But My Tommy Gun Don’t” and “The Boy Who Blocked His Own Shot.” For the second night, they played everything off of Devil minus “Welcome To Bangkok,” as well as “Tommy Gun,” “Sic Transit Gloria…Glory Fades,” “Jaws Theme Swimming,” “Demo 1” and “Play Crack The Sky.”
Night two turned out to be a definite step up from night one, with the band sounding tighter over the improved set list. Highlights included “You Won’t Know” and “Limousine,” along with “Jesus Christ” and the moment when singer Jesse Lacey brought out his acoustic guitar for a solo performance of “Demo 1,” segueing into “Play Crack The Sky.”
Lacey was more talkative on the second night too, and his vocals were especially strong, from his delicate whispers to his raw screams. The select usage of two drum sets, which they employed on their last tour, was again carried over, and helped in the creation of a power-charged atmosphere. Guitarist Vinnie Accardi furthered this factor, providing solid backup vocals while tearing into certain songs with an untapped ferocity.
The band chose to encore with “Untitled,” an unusual decision but one which paid dividends. Accardi first came out and played a few riffs, looping them over one another, and then Lacey came out, adding a few more. This produced a cacophony of tones until eventually the rest of the band joined in, culminating in a raucous jam session. It was unlike anything I had seen before, and a potent display of their avant-garde nature.
Not only do I consider these three bands unbelievable live performers, I also rank them among the most innovative artists writing music today. They demonstrated both facets each night, even though Brand New didn’t quite match the power of their performance from earlier in the year. In the face of the vapid landscape known as mainstream music, mewithoutYou, Thrice and Brand New prove that if you venture below the surface, not everything is barren.