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| From the Mouth of a Waterbody to Your Ears
| Highs, on High or Otherwise03/24/12 at 02:25 PM by White |
(Too Immaterial A Difference Methodically to Say There Exists a Discrepancy Inherently)
They put their lips to an aperture and consume of the essence
Concern oneself not with the manner of entrance
Do, however, with the sensation
Do, however, with your intent
Do, however, with your reaction
And do, however, with the aftereffect
Be her long-neck or mouth-agape
A single contrast is not made
Once your insides start to stir
And the world outside your retinas blurs
Upon the utterance of a content sound
I query as to those contrasts' whereabouts
Upon the table, my bottom dollar:
Gone, upon the pavement's donning of a collar
So open your mind as you open your lips
As you nourish your body, nourish your wits
Staple your eyes closed as their widening lingers
And question the cause of your quivering fingers
And question your state upon your egress
Then acknowledge its inevitability regardless
The perception's not persistent, it's predicated on dress
At its core it is uniform in what it represents
A divergence in repute marks not divergence in the fact(s)
And the way in which it's approached changes not the actuality of the act(s)
For a shapeshifter's soul doesn't reshape alongside its form
And the same holds true of the meaning of every such play to be performed
It's as unwavering as this metaphor | | Tags: Kony 2012, Invisible Children, (homo)sexuality, getting fucked up |
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