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|The Grey (2012) review
|There were a lot of things that felt like they were kept secret on purpose before sitting down and viewing The Grey for the first time. The trailer hints at the movie being nothing more than a survival thriller starring Liam Neeson as he struggles to survive not only the unrelenting cold elements, but also the ferocious wolves that inhabit his surroundings. The Grey is written and directed by Joe Carnahan, the man who brought us Smokin' Aces and The A-Team. The movie is also produced by Tony and Ridley Scott, which you think the marketing campaign would jump all over but doesn't even mention. Not only that, but there is quite a bit more to the movie than the trailer and TV spots let on.|
As the movie begins, Ottway (Liam Neeson) narrates a letter he's writing to his wife. This segment just made me realize what my life is lacking most right now and that's a Liam Neeson voiceover for every thought that crosses my mind. Think about that. It'd be the most amazing thing ever. The trailer reveals a few major things: that Ottway is stranded in the middle of nowhere in the blistering cold thanks to a plane crash and that wolves stand in the way of him actually surviving this ordeal. The plane crash itself is one of the best executed in recent memory. The way it's filmed and edited is downright ruthless. It's as if you're on the plane as it goes down. The Grey doesn't just place you in this blizzard-ridden hell infested with wolves, it kicks your teeth down your throat, laughs in your face, and throws you into it with everything it has.
The movie gives new meaning to some of the simplest things. Seeing your breath in cold weather takes on an entirely new definition and the way The Grey deals with death just feels incredibly powerful. Ottway questions faith right from the start and takes matters into his own hands throughout the movie. The events that transpire take a toll on even the most religious plane crash survivors. Death is more of a relief than something worth distancing yourself from. Ottway describes it as being a warm sensation and thinking about the thing you love most in life before completely giving yourself into it. Many of the campfire conversations are entirely more impactful than they have any right to be. The conversation about faith in general hits you like a potato sack full of cinder blocks.
The Grey manages to shout its message even when there's nothing being said on-screen. One of the images that stuck with me long after the movie ended was the shot of blood flowing into the paw print of a wolf in the snow. There's a scene by the river that strictly relies on sound and the way you succumb to it is nothing more than brilliant. There's another shot at the end of the film where (and I'm trying to avoid spoilers the best I can) Ottway is arranging some objects in the snow. The way Liam Neeson's fat, sausage-like fingers delicately wrap themselves around these objects and the way his hands tremble as he does this illustrates not only what this man has been through, but also that he's at the end of his rope. Plus the movie will make you want to look over your shoulder the next time you consider relieving yourself out in nature somewhere.
That level of greatness The Grey eventually achieves isn't around at all times. Some lame dialogue does squeak through and characters manage to do really stupid things at times (John Diaz, played by Frank Grillo, especially), but that seems to help the movie more than anything. People, real people, occasionally do stupid things especially when they’re scared. So this kind of made the characters feel more genuine and made it very clear that certain characters were caving under pressure.
There was a movie that came out back in 2000 that was called Vertical Limit. It was one of my most trying times at the movie theater. I fought vehemently to leave about halfway through because I hated it so much, but I was with people at the time who wanted to stay until the end. It was probably one of the worst experiences I've ever had to pay for. The Grey is basically everything I wanted that movie to be. The cast is fantastic, their actions are mostly believable, and there's this meaning to everything that really speaks to you.
The Grey is a grainy thriller that knocks the wind out of you on more than one occasion. In fact, it's rare that the movie actually allows you to catch your breath. Everything is such a raw, vicious, and brutal test of faith. It's fantastically violent and Liam Neeson is superb. If The Grey is anything to fall back on, then 2012 is going to be one hell of a year for movies.
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|Tags: The Grey, review, action, thriller, Liam Neeson, Joe Carnahan