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MTmatt

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MTmatt
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Welcome to Ever After. A fairytale and a single, 54 minute track stitched from 12 discrete songs—the most audacious songs Marianas Trench has ever crafted. Ever After is constructed around a story written by Ramsay himself and then finessed into an accompanying booklet. It’s an actual physical experience; a warm throwback to the album era when your music was more than a bunch of orphaned songs sitting on an endless iPod playlist. It’s also the project that captures Marianas Trench at a soaring artistic peak. After the breakthrough of Masterpiece Theatre in 2009 and a lot of ensuing months on the road, Ramsay and bandmates Ian Casselman, Mike Ayley, and Matt Webb were eager to start recording again. They finally settled into Ramsay’s studio to begin work on their next theatrical masterpiece by the end of 2010. “All the songs live on their own as songs, but they also serve the purpose of telling the story throughout the record,” he explains. As for the seamless hour-long symphony he constructed, Ramsay adds, “I wanted to do that on the last record but as a writer I wasn’t ready. I had to step it up, which is also why I decided to produce Ever After on my own. If this is all gonna tie together, then you really need to see it through yourself.” The tale itself concerns the heartless Queen Carolina, the exiled King, and the stolen heart of his daughter Porcelain. We’re lowered into this barren and heartless Toyland through the title track; a sweeping epic that makes good on Ramsay’s promise that “some things are really over on the top” on Ever After. “It sounds like a chase scene,” he says. “I was, like, ‘If we're gonna do this, we're gonna do this right. We're gonna need 50 string players.' ” After that Michael Bay-sized opener, we get what you might call the basic working unit of Ever After. “Haven’t Had Enough” has a lean ‘80s funk edge to it, as do skin-tight tracks like “Desperate Measures”, “B Team”, and the amazing “Stutter”, but with Ramsay’s jones
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