Glover went on to say that he wants another company—“Def Jam, Atlantic, whatever”—to buy him out of his contract, noting that Glassnote must not care about him because he’s “not loud, or outrageous, or a white girl with a big ass.” (Not that most of Glassnote’s other acts—Mumford & Sons, Chvrches, Little Green Cars, Two Door Cinema Club, Phoenix, etc.—are any of those things either.) Glover also maintains that the label has been lying to him, claiming that after he said, “I know how the Internet works,” to his label, they “laughed on the phone and said, ‘oh really?’”
Prodigy of Mobb Deep was not happy about getting a perfect score from Pitchfork for the re-release of Da Infamous. Dylan McCarthy at ToneDeaf takes a look at the entire situation:
He raises the question: should privileged middle-class white guys be commenting on rap music when they have no firsthand experience of the culture and the struggles and oppression that come with it – in other words, no credibility on the matter?
Killer Mike and The Alchemist have teamed up on a new track called "The Boonies" from the forthcoming The Boondocks mixtape. Head to the replies to give it a listen and check out the lineup for the rest of the mixtape.
Chuck Inglish held a listening party for his new solo album, Convertibles, on Friday at Red Bull Studios with producer Mike Einziger (Avicii "Don't Wake Me Up") detailing the production process behind each track. You can check out some photos from the event here. And if you haven't already, you can stream Convertibles on Rdio.
Wu-Tang Clan have a characteristically bonkers way of releasing their other new album this summer, Once Upon A Time In Shaolin. Via AV Club.
...The sole copy of Once Upon A Time In Shaolin will be encased inside an engraved silver-and-nickel box designed by British-Moroccan artist Yahya, then taken on a tour through museums, art galleries, and festivals. There—and only there—visitors will be able to listen to all 128 minutes of its 31 songs on headphones, and only after enduring a rigorous security check to eliminate the risk of any recording devices.
After its limited bootleg pressing and copies available on his current Deep Web Tour, Childish Gambino’s Because The Internet will finally get a larger vinyl release, as part of Record Store Day 2014. The new run is limited to 5,000 copies, includes the original artwork and is packaged along with a metallic o-card (sleeve), printed inner sleeves and a 72-page booklet (12″ by 12″). That booklet may be why it’s priced at $40 for the event.
T-Pain, the much maligned auto-tune singer who had so many massive hits in the mid 00s, has a new profile in the New Yorker that takes a look at how he felt when everyone started to treat him as a joke. The nastiest bit is that Kanye West, who had called T-Pain in to consult on 808s and Heartbreak, wrote a song during those sessions essentially calling every idea T-Pain had garbage. It's an interesting, short piece, and one that I highly recommend.
But what has made T-Pain most resentful since his fall from the top was seeing certain artists use Auto-Tune and not get criticized; rather, they were celebrated as innovators in a way that T-Pain never was. Chief among these were Kanye West,...
In an interview with Revolt TV, OutKast member Big Boi singelhandedly ruined my life by denying plans for a new album from the duo. He does, however, have a third solo album in the works and you can still catch the legendary pair live on their massive festival run throughout the rest of the year.
“No, no, no. We’re just doing the tour only, just for the fans,” he recently told Revolt. “That’s all it is, just the tour.” "It's just the OutKast 20th year anniversary," he continued. "Just a way for us to celebrate with our fans, but there's no album in the works."
If you're looking for something to pass the time this afternoon, Noisey has been posting webisodes about the Chicago rap scene, titled "Welcome To Chiraq." Part 5 of the 8 part series features the SaveMoney crew (Chance The Rapper, Vic Mensa). Check out all of the episodes on Noisey, or head to the replies. Fair warning: there is language and some drug use, so be cautious if you work for, like, an accounting firm or something.
Watch Grieves' new video for “Shreds” in the replies. Winter & The Wolves releases on March 25th via Rhymesayers Entertainment. European and US tour dates for the album support tour are in the replies, with more to be announced soon.
The fifth annual OVO Fest, taking place in Toronto and put on by the city's own Drake, is the latest festival to announce Outkast as headliners. The recently reunited duo will headline the August 3rd date at Molson Ampitheatre. Special guests are yet to be announced, but when I attended last year Kanye West, TLC, A$AP Rocky, and Lil Wayne (among many many others) performed unannounced. I'm sure the milestone fifth year will be even more jampacked and thrilling. Tickets are on sale February 21st.
The pioneering hip-hop group De La Soulrecently offered their entire discography for free - the interesting bit is that it seems that the move wasn't cleared with their label, Warner Music Group. ReCode has an interesting look at how the albums aren't available for digital purchase anywhere and were made available through a Russian piracy site.
Beyoncé saw the release of two remixes to her single "Drunk In Love" today. One was by Detail, who released a seven minute version of unused vocals and production from when he worked on the original version called "Drunken Love;" the other was by Kanye West, who extends the track and throws in a verse of his own. Hear the Detail remix in the replies.
Drake has taken to his blog to apologize for his comments regarding Rolling Stone's decision to replace him on cover with the late Phillip Seymour Hoffman.
After dwelling on it for a few hours or days you will come to the conclusion that you brought it on yourself almost every time. So here I am having that moment. I once again apologize to everybody who took my cover comments the wrong way. I respect Rolling Stone for being willing to give a kid from Toronto a shot at the cover. I guess this is a day to learn and grow.