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Sleigh Bells - Treats Album Cover
Author's Rating
Vocals 9.25
Musicianship 8.5
Lyrics 8
Production 9
Creativity 9
Lasting Value 8.75
Reviewer Tilt 9.5
Final Verdict: 89%
Member Ratings
Vocals 7.71
Musicianship 8.63
Lyrics 7.46
Production 8.88
Creativity 8.71
Lasting Value 8.71
Reviewer Tilt 8.71
Average: 84%
Inside AP.net

Sleigh Bells - Treats

Reviewed by: Adam Pfleider (05/14/10)
Sleigh Bells - Treats
Record Label: Mom and Pop/N.E.E.T.
Release Date: May 11, 2010

My first reaction to Sleigh Bells was one of intrigue. Just by the way they were described to me and the discovery of early demos brought about thoughts of "Cool, a new heavy electro-band," and even the negative connotation of "Great. Another laptop/beatbox wonder to hype and add to the list of pseudo-hipster bullshit." Then a bombshell was dropped on me: Derek Miller was one half the electro-pop duo. The guy who was once part of one of my (and still) favorite bands of all time was behind this.

It should not be old news that many punk kids turn DJ's across this fine artistic land. Along with Austin's own L.A.X. (Andrew Collins of At All Cost) and of course Jaguar Love, there are quite a few bands comprised of musicians from former hardcore bands that are little bit more groove oriented presently. Even Alice Glass was pulled into Crystal Castles from Ethan Kath's stumble upon her noise-punk band in Toronto.

Hardcore is definitely the game here. In all honesty, where Crystal Castles failed to grab my attention all the way through their debut album, Treats is sonically driving and gripping most of the way through like a HEALTH live show. There are numerous times when I feel everything is peaking past where it should be on the mix. From the opening "Tell Em" through "Infinity Guitars," the frequency and noise of the rhythmic arrangements sort of make you forget about all the other bands clinging to their laptops and effect pedals. The mix is certainly where Treats soars. It seems pretty basic upon first listen, but the instrumental change-up's and compositions are what keeps the blood's adrenaline on high and full attention.

Things slow down a bit with "Run the Heart," while "Rill Rill" sounds much like a smooth Odelay b-side. A turn off to the album may be vocalist Alexis Krauss' repetitive lines though. She shines as a writer on "Rill Rill," but is mostly verbally equipped with chorus lines throughout the album. That isn't much of a downside considering the lines rhythmically flow in their respectful places, but it definitely leaves the album bordering great lyrical releases the likes of IRM or Teen Dream to Merriweather Post Pavillion lyricism. Match that to the short length of Treats and quick quirks of "Straight As" and "Kids," and its run time will either harbor bitterness or positive playbacks throughout the summer. In a way, the negatives can be seen in a bright light here because the album is just that addicting and forceful.

Forceful is just what is capturing about Treats. It is what makes it so hardcore to the bone. Miller puts together gritty guitar licks and hammering beats worthy of an opening slot with Ghengis Tron in my eyes and matches it to the beautiful, yet aggressive sound of Krauss' mouth. Forget Ke$ha or the new LCD Soundsystem at this point, Treats is poised to be this year's br00tal jam for many with its pop charm lacing hardcore sensibility. Be aggressive. B. E. Aggressive.

Track Listing1. Tell Em*
2. Kids*
3. Riot Rhythm
4. Infinity Guitars
5. Run the Heart
6. Rachel
7. Rill Rill*
8. Crown on the Ground
9. Straight As*
10. A/B Machines
11. Treats

*key tracks


Recommended If You LikeCrystal Castles' Crystal Castles; HEALTH's Get Color; N.E.R.D.'s In Search Of
 
Displaying posts 1 - 15 of 41.
02:44 AM on 05/14/10
#2
gr33ndayfr3ak
www.nickferran.com
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This is an extremely well-written review. This album is pretty fantastic as well, though I'm not sure I would've scored it so high. This'll be getting quite a few plays in my car this summer.
03:59 AM on 05/14/10
#3
philbylink
the shower's in the toilet
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The new mix of Infinity Guitars absolutely kills. When the reverb bass and drums comes in it's just UGH so good.
04:30 AM on 05/14/10
#4
reav
honestly, it was nothing.
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reav's Avatar
Health don't have an album called Die Slow.
04:30 AM on 05/14/10
#5
reav
honestly, it was nothing.
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also, how the fuck are Crown on the Ground and A/B Machines not key tracks?
05:36 AM on 05/14/10
#6
zachff
is Dalton Russell
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A little too hardcore for me, but I did enjoy Tell 'Em.
05:55 AM on 05/14/10
#7
aradiantsunrise
i'm not as dumb as i am
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also, how the fuck are Crown on the Ground and A/B Machines not key tracks?
Different strokes for different folks.


Good review, btw, Adam.
06:40 AM on 05/14/10
#8
IamTheINDUSTRY
glory glory
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also, how the fuck are Crown on the Ground and A/B Machines not key tracks?
this
07:35 AM on 05/14/10
#9
Adam Pfleider
wait. what were we talking about?
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Health don't have an album called Die Slow.
fixed, mixed up the first track name...oops...
07:57 AM on 05/14/10
ikikwe
I'm looking for the upsides
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Great review and I'm really digging this album.
08:10 AM on 05/14/10
Blaise&Panthia.
Too much too much too much too much
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The new mix of Infinity Guitars absolutely kills. When the reverb bass and drums comes in it's just UGH so good.
Yessssss.
08:58 AM on 05/14/10
Keagan Ilvonen
@KeaganIlvonen
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Glad you wrote this because it's better than anything I could write and they deserve a write up. Love this album, great job bud.
09:26 AM on 05/14/10
SubsonicD1SC0RD
Regular Member
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Excellent review. Love Sleigh Bells live, love this album.
09:29 AM on 05/14/10
Jeff_Ryan
easy come and easy go, whatever
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This album is so much fun, but I really don't think the lyrics touch Teen Dream or Merriweather Post Pavilion
09:42 AM on 05/14/10
Adam Pfleider
wait. what were we talking about?
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This album is so much fun, but I really don't think the lyrics touch Teen Dream or Merriweather Post Pavilion
I made that unclear as I read it now...what I was trying to say is yes, they don't touch Teen Dream or IRM and ride the repetitive choral lines of MPP.
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