Prodigy of Mobb Deep
was not happy about getting a perfect score from Pitchfork
for the re-release of Da Infamous
. Dylan McCarthy at ToneDeaf
takes a look at the entire situation:
He raises the question: should privileged middle-class white guys be commenting on rap music when they have no firsthand experience of the culture and the struggles and oppression that come with it – in other words, no credibility on the matter?
Submitted by ParkwayTom