You're going to need some time to sit down for this one this week. In case you haven't yet, please read NPR intern Emily White's blog. Then read professor and ex-musician David Lowery's response. Then read Travis Morrison of The Dismemberment Plan's response to Lowery. If you make it through all of that, I've got some thoughts on all three pieces here. What I want you to think about this week is the tangible ownership of music. If there's one vinyl record or CD in your collection that you would never part with, why? When and where did you get it, and is there a story behind it? Would love to hear why the tangible medium will never die from music fans instead of the press.
Adam Pfleider on 06/20/12 - 12:47 AM
1999 looked liked one of the worst years for pop music - ever. The tweens (before they were deemed that by Disney marketers years later) ruled the radio dial, and one after another, the boy bands and jailbaited Tiger Beat pin-ups of Britney Spears and Christina Aguilera (and some ten other individually wrapped Kraft slices) took over what was coined "pop music" at the time. In 1999, two other albums should have dominated pop - one by the Olivia Tremor Control and one by The Dismemberment Plan. While the former's album is still a favorite lush, poppy acid trip I spin constantly every spring and summer, the latter was jagged, cruel and self-deprecating. It wasn't hip-hop in the vein of...
Adam Pfleider on 01/20/11 - 11:27 AM
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