Joan Jett is a bona fide rock and roll pioneer, icon and a future Hall of Famer. It was truly a treat to see her and the rest of The Blackhearts at such an intimate appearance - but I think it's safe to say that the show would have rocked just as hard regardless of the size of the venue. Unvarnished is classic Jett, and its release show followed suit.
Talk about an unforgettable performance. I could talk in circles all day about how much emotion Tegan and Sara put into their live show, but you probably already know if you’re seen them or heard their records. 14 years in and the Quin sisters have truly never sounded better. Not to mention the perfect mix of old favorites and new tunes crafted the ideal set list. Between What’s Eating Gilbert’s always entertaining and rocking performance to Tegan and Sara’s unwavering chemistry, emotion, and control, this was a night for the books.
Whether you’re an old fan, casual listener, or just heard “Catholic Girls” and enjoyed it, this tour is definitely worth going to. The Dangerous Summer plays a great mix of material, while opener Tommy & The High Pilots heightens the bar for future live shows.
Aside from the fact that this is Tigers Jaw’s final tour for who knows how long, I think the diversity of this tour is what makes it stand out. Dad Punchers loud version of indie-rock fits very well with Tigers Jaw’s indie influence meets old-fashioned emo/pop-punk style. Sainthood Reps old-school distortion-using jams bring another flavor to the menu, while Pianos Become The Teeth emotion-infused hardcore tears apart the stage. Even though Tigers Jaw are calling it quits for now, their legacy won’t be left in the dark, as they’ve paved the way for many more bands to...
The quirkiness of the records transferred wonderfully to the live environment. People were stagediving, crowd surfing, running up on stage, spilling drinks, belting their lungs out. Handclaps and stomping galore occurred throughout the set. It was a mad house in a tiny room. Chaos of an environment mixed with the simplicity of the music. An unexpected match made in heaven? Not sure – but it worked. From the haunting ending of “Swimming Pool” through The Front Bottom’s true masterpiece that is “Twin Sized Mattress” and the song that probably made many of us fall in love with...
Whether you’re a fan of rare, old Say Anything cuts or just dig tracks from the self-titled and Anarchy records, this is the show for you. Having a little bit of everything – and more surprises – this has to be one of the best concerts I’ve ever been to. Northern Faces bring the gritty bluesy rock, HRVRD the theatrics, Eisley the intricate atmosphere, and Say Anything top it all off with their raw, punk-inspired nature. Clearly, Equal Vision Records continues to have one of the best lineups of any label today.
Yelling out lyrics like “I’m finding new ways to burn” during “Disassemble” and being able to hear one of my favorite lines of last blasted in my ears as Carroll yelled, “You can click your heels until you wear holes in the floor / And realize that no place feels like home anymore” on the penultimate “Stay In The Sun”…these are moments you don’t forget. This is why live music is so incredible. This is why you need to see this band live, as it makes you appreciate their records even more – if you can even believe that.
To me, The Gaslight Anthem just sounds like American rock music should. Listening to their records makes me wonder what it must have been like growing up in the 70s or 80s, and I can’t help but feel like this is the type of music my dad and his friends grew up listening to. Gaslight represent the new face of rock and roll music, and each member delivers exactly this on stage. Seeing the band live made me realize exactly why we all their songs so much – simpler, older times brought to life today. As one of the defining rock bands of our generation,...
Over a decade in now and Senses Fail still deliver one hell of a live show. Here’s a band that really helped anchor our scene back in 04, and they’re still dominating today. Talk about seasoned professionals. And man can Buddy Nielsen scream his lungs out. If you can scream a song in Spanish (“Mi Amor”) and not miss a note, while still getting the crowd going while, I think you’re doing something exactly right. All the classics, from “Shark Attack” to “Lady in a Blue Dress” and the final “187,” sound even better ten years later, as Nielsen’s vocal abilities are...
Now, up until this point, I’ve wondered about the longevity of fun.’s insane fame. With Some Nights being – in my opinion – one of the best pop albums in the last 5+ years, the guys have a lot on their plates. However, coming off of 2 Grammys and an already-platinum record, I think it’s safe to say fun. are here to stay…for a long time. After seeing their live show, I am certain they’ll stay on top.
The weekend of triple fun is now over. After sets from Braid, The Promise Ring and Refused, among many many others, I'm still a bit overwhelmed by it all. Hit the replies to read user Dustin Harkins and I's final write-ups. You can head to our Facebook page to check out a full set of photos from the weekend from photographer Sara Strick. Also be sure to check out Purevolume's full gallery from the weekend as well. Fugazi? Jawbreaker? Unwound? Harkonen? Who knows what next year will bring, but I'll be patiently waiting for the Fall of 2013 regardless. Seriously, please Harkonen, please!
It's been quite a long weekend. It's been quite an amazing one as well. Head to the replies to check out reviews of Saturday's Fun Fun Fun Fest where user Dustin Harkins and I finally got to see Refused destroy our senses for an hour. You can view photos from the weekend over on our Facebook page. Our reviews of Sunday will be up tomorrow.
What a hell of a first day at this year's Fun Fun Fun Fest. You can check out a couple of photos from the day over on our Facebook page. Head to the replies to see not only my review, but Dustin Harkins review of the festival as well, who will be down here with me all weekend. Refused, Braid, David Cross and much much more today. I'd bring a bandana if you're hanging out towards the Black Stage today. More than enough dirt and dust is getting stirred up down there.
This past weekend I attended Austin's Chaos in Tejas festival for the second time. I was excited about the reunion set from Moss Icon, as well as sets from Thou, Ted Leo and the Pharmacist and Pygmylush, but I also got to see a ton of bands on a whim. It got me thinking about genre classifications, especially in the community of punk rock. Simply put, do you see punk as more of an idea or more of sound? Do you ever find yourself seeing the influence of punk in bands that wouldn't be classified as such? You can read my thoughts here and hit the replies for an afternoon talk.
One of AP.net's readers, Dustin, was also at the At The Drive In reunion show the other night. He wrote up a pretty cool blog about the experience that I've included below. Also, don't forget to check out Adam's review here.
Monday night I was able to witness At the Drive-In's first reunion show in eleven years at Red 7 in Austin, Tx. Walking back to my car, I had very mixed emotions about the performance. It was a moment where I looked back on a band that changed what I knew punk rock could be at a young age, and it made me reflect on what I know punk rock to be as a term now more than a decade later. You can read my thoughts on the night here. For all the complaints the site gets about not being "punk enough" - I hope this write-up reflects my sentiments on what you think you know and what time will show you when you get older.
Hey everybody, if you look up (no, not at the ceiling, at the top of the homepage!), you'll see a staff content post for today. I wanted to give a snippet out of one of those reviews, a live show review I wrote after watching Bruce Springsteen this Sunday open his Wrecking Ball Tour in Atlanta. I haven't written something like that in a long time - everything just came out fluidly. I felt very strongly about the emotion in the show and I encourage you all to read the blog, and check out Springsteen on tour this year, if you have the means.
The Cab and The Summer Set are just about done with their co-headlining tour, but a show review of their stop in NYC can be read here. Tickets for the remaining dates can be purchased on their official website, and be sure to check out The Cab's Symphony Soldier and The Summer Set's Everything's Fine - both of which are availablenow.
You can read a nostalgic reflection about the Where's the Band? Tour from me here. Have you gone? What memories did it bring back and during which songs? Be sure to check out Alex's Backstage Session with Chris Conley here.
It was a long weekend that blew out my eardrums and collected dust in my lungs, but it was well worth it for the sixth annual Fun Fun Fun Fest. You can check out my review of Saturday and Sunday here. Any of you guys go? Who was your favorite act? How much French Onion soup did you eat? Run into Blake from Workaholics?
Yesterday was the first day (and first full Friday) of the sixth annual Fun Fun Fun Fest down in Austin, TX. You can head here to see my recap of the day. Last night, many fans were disappointed in the "Danzig Legacy" portion of the show. Last night, on Facebook, Transmission Entertainment (festival's promoter/booker) made a statement about the incident. It can be found in the replies.
I went and saw the Bayside/Saves the Day tour the other night and it got me thinking a lot about longevity. How did those two bands last so much through one of the most progressive times in the music industry? How did they survive against the elements of death, label issues and pleasing longtime fans? Hit the replies and let's talk about not what makes a hold any sort of longevity past "putting out good music." What makes you continue to see your favorite bands year after year or multiple times a year at that?