 | | |  | | | | | | | | | What's the point of slick production if there is no heart? Mineral's only two releases don't sound like they were made to the best audio quality, but the passion of both their records boils over the surface of vocalist/guitarist Chris Simpson's audible desperation. Drummer Gabriel Wiley, guitarist Scott McCarver and bassist Jeremy Gomez complete the early influence that was the Texas four piece of an early heart on the sleeve of many. 1997's debut, The Power of Failing, is an early indie/emo staple with the likes of Diary and Dear You. The entire album, lyrically...[ read more] | | | by Adam Pfleider on 11/11/09 - 08:34 AM | 54 Replies - | |  | |  |
 | | |  | | | | | | | | | Teetering the lines of what was punk and what was post, The Jesus Lizard came on the scene in 1989, releasing Pure, their debut EP through Touch and Go Records. In 1991, the band released Goat, which is claimed by many critics to be their seminal release. Daunting guitar riffs mixed with a bold rhythm section, the vocals of David Yow overlapped the music with a frightful sermon that gave the band a cold, yet driving sound. Their next two albums, 1992's Liar and 1994's Down would be their...[ read more] | | | by Adam Pfleider on 11/04/09 - 02:10 PM | 34 Replies - | |  | |  |
 | | |  | | | | | | | | | I remember getting a demo tape from a friend in high school. I used to cover "Lost It" and "He Said" in a ska cover band I was in my senior year of high school. I can't pop in Heads Are Gonna Roll without thinking of a time when life was innocent and fun, before it was violently shoved into the responsibilities of college and beyond. The Hippos not only hold a place in my music catalog, they are forever cemented in a great time in my life. Hailing from Los Angeles, the six piece (with only a minor line-up change for...[ read more] | | | by Adam Pfleider on 10/14/09 - 01:30 PM | 40 Replies - | |  | |  |
 | | |  | | | | | | | | | There's something haunting about Engine Down's music that crawls under the skin, and only heightens the senses enough to be carried along and never blown away from each intricate detail. In 1996, four men emerged from Richmond, Virginia with a vibrant sound: vocalist/guitarist Keeley Davis, drummer Cornbread Compton, bassist Jason Wood and guitarist Jonathan Fuller. After their first two albums, Engine Down crafted Demure, a 45-minute sonic ride of rhythmic bites backed by superb guitar aftertaste. The band...[ read more] | | | by Adam Pfleider on 09/30/09 - 10:46 AM | 23 Replies - | |  | |  |
 | | |  | | | | | | | | | Seattle has been a mecca of creative, talented bands throughout the years, but of the early 90's post-hardcore scene, Sunny Day Real Estate brought a sound that resonates through many bands today. The band's debut album, Diary, is a staple, and is seen as one of the first true "emo" records after Rites of Springs' End on End, but around the same time as Jawbreaker's 24 Hour Revenge Therapy. The band released four full lengths in their time, including one of my favorite records, How it...[read more] | | | by Adam Pfleider on 09/15/09 - 11:14 AM | 52 Replies - | |  | |  |
 | | |  | | | | | | | | | The Promise Ring were one of the bands most instrumental to emo's rise to prominence. The band burst onto the scene in 1996 with their powerful debut 30 Degrees Everywhere and cemented their legacy with the genre-defining Nothing Feels Good. They would go on to explore poppier territory on Very Emergency, and by their 2002 swan-song Wood/Water, there was little trace of the angst and knotty angularity that characterized their earlier recordings. One constant throughout their too-short...[ read more] | | | by Jeremy Aaron on 08/25/09 - 10:42 PM | 100 Replies - | |  | |  |
 | | |  | | | | | | | | | As one of Drive-Thru Records' initial signees, Allister had the distinction of being one of the first in a long line of bands that assisted in introducing the new era of the indie-label craze that SoCal pop-punk helped create (we all remember Epitaph's early success). Their debut, Dead Ends and Girlfriends, is a classically-themed pop-punk album that paid homage to both pioneers like Descendants and modern-day prophets like blink-182. Before their 2007 demise, Allister continued to grow as snot-nosed pop-punkers who loved to...[ read more] | | | by Chris Fallon on 08/19/09 - 04:59 AM | 182 Replies - | |  | |  |
 | | |  | | | | | | | | | Writing about Champaign-Urbana based group Braid is a difficult thing to do since the band single handedly changed the way I looked at music and the sort of music I was interested in. I wrote about the significance of their music in an earlier article for Absolutepunk, which you can read here. Braid was around from roughly 1993-1999 and then reunited for a reunion tour in 2004. The band was notorious for touring heavily and their live shows were always...[ read more] | | | by Rich Duncan on 08/12/09 - 08:23 AM | 67 Replies - | |  | |  |
 | | |  | | | | | | | | | In a day when crunkcore and neon seems to be far too commonplace, pausing to remember Seattle, WA's Vendetta Red seems utterly necessary. Emerging onto the mainstream music scene with their impressive, rage-filled major-label breakthrough Between the Never and Now, Vendetta Red managed to mix melody and radio-friendly choruses with daunting sonic heights. Lead singer Zach Davidson's captivating vocals and clever wordplay were the perfect complement to snarly guitars and bombastic drums. Though it's been six...[ read more] | | | by Gregory Robson on 08/05/09 - 06:36 AM | 126 Replies - | |  | |  |
 | | |  | | | | | | | | | Elliott was a band from the mid 90’s until roughly 2003. The band released three albums over the duration of their career starting with the raw and aggressive U.S. Songs, which caused them to be lumped into the mid-90’s emo movement and compared to the other bands of the genre. The band’s second album, False Cathedrals, was a transformation of the band’s sound as they dropped the more straightforward approach of U.S. Songs and began crafting more lushly arranged songs that left listeners in awe of...[ read more] | | | by Rich Duncan on 07/29/09 - 09:08 AM | 53 Replies - | |  | |  |
 | | |  | | | | | | | | | If only life could be more like the summer of 2001. Remember that? We weren't at war, the first Shrek movie was released and Lawrence, KS The Anniversary had just released their shimmering sophomore album Your Majesty. Whether it was the Midwestern work ethic or simply an innate ability to write solid songs, The Anniversary possessed a Byrdsian quality that blended well with the DIY emo ethic. Led by the one-two punch Josh Berwanger and Justin Roelefs, the Jayhawk quintet were everything that was great about...[ read more] | | | by Gregory Robson on 07/15/09 - 05:59 AM | 92 Replies - | |  | |  |
 | | |  | | | | | | | | | When I was in high school, Further Seems Forever was one of the bands that shaped my musical spectrum. Three albums, three different lead singers, three different approaches. 2001’s The Moon Is Down featured Chris Carrabba before he was the crooner of Dashboard Confessional, while 2003’s How To Start The Fire put Jason Gleason’s fiery vocals on display. This band meant a lot to me, and now is a great time to discover the different styles of FSF. If you were a big fan, we’d love to hear your recollections...[ read more] | | | by Drew Beringer on 05/20/09 - 01:53 AM | 181 Replies - | |  | |  |
 | | |  | | | | | | | | | How many of you miss Northstar? It seems that Pollyanna remains a cult classic around here -- and it's extremely rare for a band to go out while perceived to be at the top of their game. Dark yet catchy, moody and anthematic - this band had all the makings of "the next big thing." It hasn't been that long since the band's departure, but we just had to highlight them anyway. They were just that good. If you've never heard of these guys before ... now is the time. If you were a fan back when they were making music --...[ read more] | | | by Jason Tate on 03/03/09 - 11:17 PM | 257 Replies - | |  | |  |
 | | |  | | | | | | | | | Home Grown may go down as the most accessible pop-punk band that never hit the big time. When they released Act Your Age - I thought they were destined for magazine covers. And that album turned out to be just the beginning when they followed it up with Kings of Pop and rightly claimed their throne. This was the band that got this sound perfect. Fun, energetic, carefree - full of harmony - yet never taking themselves seriously. They don't seem to make pop-punk like that anymore. If you've never heard of these guys...[ read more] | | | by Jason Tate on 02/25/09 - 01:20 PM | 205 Replies - | |  | |  |
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