Lana Del Rey has taken to Twitter (and it looks like since deleted) to respond to the Guardian article we posted about last week. Although Ms. Del Rey directly calls out "Alexis" (probably referring to Alexis Petridis who wrote the review of Ultraviolence for The Guardian), the author of the original piece was Tim Jonze. Tim Jonze has written a follow-up piece that includes the audio files from the original interview.
"i regret trusting the guardian- i didn’t want to do an interview but the journalist was persistent. Alexis was masked as a fan but was hiding sinister ambitions and angles Maybe he’s actually the boring one looking for something interesting to write about. His leading...
Sucks that a culture of entitlement has engrained that its cool to kiss nonconsenting strangers so well that he didnt know what he did wrong. But it just makes me appreciate all of the wonderful supportive and respectful people on this tour and at the show tonight.
Billboard and Twitter have teamed up to present the "real-time charts" to track the most popular music being shared on the social network.
The first is Billboard Trending 140, which compares the frequency a song is shared over the past hour with the hourly average of shares in the last day. The second is Billboard Twitter Emerging Artists, which ranks songs from artists with less than 50,000 Twitter followers by the volume of shares in a 24-hour period. There will also be weekly summaries showing the most popular tracks on Twitter during that time span.
LP didn’t “call the cops” on @RomeMusica smoking pot. Not sure where the rumor came from. Definitely not my style, bummer it happened. We were at a meet & greet when Sublime was on stage, not dressing room. Wouldn’t even know if there was smoke. If someone was “representing the band” to the cops in the venue about weed smoke, they were out of line.
Twitter may try to buy its way out of its growth problem by making another move into music. The company is considering a deal to acquire SoundCloud, the music and audio-sharing company, according to people familiar with both companies.
So how exactly could that be an album tease? Well, Adele's first album, "19," was written and released when the singer was 19 years old in January 2008, and its follow-up, "21," captures her life as a 21-year-old, and was released a few months after she turned 22, in January 2011. If Adele will be revisiting the age of 25 "later in the year," perhaps it will be in the form of the most anticipated album release of the year.
I was planning to write something about this entire "who was talking about emo/pop-punk/whatever" debate that sprung up online yesterday (and touched on it via Twitter this morning), but Ben Cosman at The Wire nails the entire point I wanted to make in one paragraph:
A pissing-contest over who's liked emo longer isn't going to do the genre any favors in popularity. But of course an argument about emo descends into "I was talking about this band way before you were". As Cohen and Hyden (and a slew of others on Twitter) pointed out to Heisel, those who've hung around with the genre should be pleased with the progress it has made recently, both in terms of credibility and quality, instead...
Billboard has always been the standard by which music popularity is measured, and Twitter and its millions of users worldwide have added an entirely new dimension and pace to the way the marketplace interacts with, and evaluates, music and music-makers," said Janice Min, Co-President/Chief Creative Officer of the Entertainment Group of Guggenheim Media. "The Billboard Twitter Real-Time Charts, a natural extension for media brands so in sync in the music space, stands to once again dramatically shape the conversation...
The service announced its iOS app is disappearing from the store today, although anyone actually using it can continue until the service is shut down April 18th. In a followup tweet, the team mentions it will "continue to experiment with new ways to bring you great content based on the music activity we see every day on Twitter."
A variety of musicians and bands have begun speaking out on Twitter about the Kelly Thomas verdict. Will Pugh, of Cartel, stated, "If you care at all about civil liberties, you should be paying attention to the Fullerton PD's actions," and Man Overboard tweeted, "No justice for #KellyThomas means no justice for all American citizens. A sad day in our history. Embarrassing and heartbreaking to witness."
Oli Skyes has commented on the Ian Watkins trial. I'm going to give him the benefit of the doubt and say that "biggest victims" portion is just really poorly worded.
So Watkins was sentenced & justice was served, wether you think it was too short a stretch or not. My heart goes out to all the victims effected, but I would like you all to consider the impact and destruction watkins has inflicted on his band, and see how them themselves are in some ways the biggest victims of this nightmare. He destroyed the legacy of Lost Prophets (which were my favourite band ever back in the day) -when your band ends you want to be able to look back at all the good times, listen to the songs you made,...
If you head to TonySly.org you'll find videos and write-ups from a variety of the artists that contributed to the recently released Remembering Tony tribute album. You can also follow the website on Twitter to get updates when new stories are posted. A sample entry from Brian Fallon is included below.
When I was asked to do this tribute, I was somewhere in Denmark. I picked Capo right away. I recorded this song very, very simply, just one guitar and my voice and my harmonica. I did it one night in the winter, it was freezing and quiet and late, like it always is when this kind of song is written or recorded.
To me Capo says, "I'm trying... I'm doing my best, but it's hard...
Kellin Quinn has revealed that the $80 Polaroid Meet and Greet VIP option included as part of Sleeping With Sirens fall U.S. headliner ticket options will benefit cancer patient Anthony. Fans have raised over $10,000 for Anthony by purchasing this package.
Twitter has today launched its music app for the whole wide world to use. Twitter #Music can be accessed at music.twitter.com and there's a separate app for iPhone as well. It's based around discovering new music, of course, and seeing what music is popular on Twitter in real time. You can listen to music in Spotify or Rdio with the user interface, and buy music on iTunes as well. Play around with the new service and let us know your thoughts in the replies.
Today, we're releasing Twitter #music, a new service that will change the way people find music, based on Twitter. It uses Twitter activity, including Tweets and engagement, to detect and surface the most popular tracks and...
Chirpify (the service that lets you sell stuff through Twitter) has launched #ChirpifyLovesMusic campaign to offer indie-musicians their service for free - for life. Check out the full press release in the replies and get more information, here.