We want to make a true concept album. A story.
Often times we'd discuss how fun it would be to do this, but we never followed through for several reasons. Fear of total commercial failure, the grandiose scope of the whole thing, the fact that it's not the 70's anymore and it's hard enough to hold someones attention for one song, let alone an entire album. But we believe that we've found a group of fans that are craving this very thing from us, and we are now inviting you to join us as we move forward into the next chapter of House of Heroes.
Just saw this awesome Kickstarter to fill up and tie 100 water balloons in less than a minute.
It is time to bring your water balloon fights to the next level with Bunch O Balloons - the hose attachment with 37 pre-connected balloons that automatically fill and tie themselves! This system makes it easy for kids of all ages to prepare 100 water balloons in just ONE minute, giving you enough water balloon ammo for any battle.
Baby Fat: Act 1 is the first act of a two-act rock opera I've been working on for the past few years. It’s not a rock opera in the traditional sense - the ones done by bands in the 70s seem to me to be concept records – but an actual opera with a linear narrative, featuring different singers portraying different characters. Baby Fat is the logical next step for Screeching Weasel after years of making themed and concept records like My Brain Hurts, Anthem For A New Tomorrow, Emo and These Ones Are Bitter.
Without insurance, the cost for the surgery amounts to $50,000, including different programs helping to lower the cost. And even after cost of the surgery, anesesthia, hospital bills, etc, there is rehabilitation and physical therapy as well. Before I go ahead and ask for a handout, I want to make it known that you will be given the opportunity to gain something as well. We have worked together to come up with a few different packages in return for your financial help. After speaking with the hospital, I am certain that this can be taken care of fairly quickly, thus leading to more time spent on...
Taylor makes a nice little argument in favor of paying for music. "Music is art," she says, "and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It's my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album's price point is." This is an impressively-constructed syllogism. It is also deeply, deeply wrong.
The single hardest economic problem posed by the internet is the end of scarcity.
Today, we’re thrilled to announce that we are growing our team with the acquisition of TastemakerX, a leading music discovery and curation service. Based in San Francisco, TastemakerX was founded in 2011 to help artists connect with fans. TastemakerX enables listeners to discover new music, build and listen to virtual collections, and view artists based on social discovery.
Our next goal is to produce our first full length record. We've spent the past year holed up in Chicago, writing, crafting and whittling down a collection of songs that we feel is the first full realization of why we started this band. As you might assume, our biggest endeavor to date also comes with the biggest financial constraint. We refuse to sacrifice this dream because of budget, so we are turning to you - our supporters - to help us get to the finish line. Importantly, we aren't looking for donations, we want to give you exclusive access and rewards so you can own a piece of this process and be a...
Recently, Derrick from Sainthood Reps lost his father Gary to lung cancer. For the next week, Youth Conspiracy Records has announced that 100% of the proceeds from all sales of their Monoculture LP will go to the American Cancer Society in their ongoing fight to cure this life-stealing disease. In addition, YCR is auctioning off a test pressing of Monoculture on eBay. Limited to just five copies, this is the rarest Sainthood Reps record in existence -- all proceeds after eBay fees will go directly to the American Cancer Society.
Notch paid $46,300 for the LP — a test pressing that's believed to be one of only four in existence. As Joyrex says, a portion of the auction will go to charity, as voted on by his website's community. Current leaders include Doctors Without Borders and the World Wildlife Fund. The remaining money is supposed to be split between the artist himself and his record label.
So far the guy who wants to raise money to destroy the only copy of Wu-Tang Clan's upcoming album has only raised $10,400. That didn't stop him from talking with WuTangClan.com about why he wants to do this.
This is a work in progress. Unfortunately, at this time the answer to this question is, “it depends.” Suppose that the purchase of the album takes my full money goal. That leaves little for my performance piece. If I have some left to tool around with, it will have some more gusto to say the least. To throw you a bone here, though, I am currently considering liquefaction and/or returning the work to the earth. There will be no five second bra burning here.
Honda is putting over $50 million dollars into their advertising strategy centered around music.
Peyton also reports a direct impact on car sales from the Civic Tour over the years, but declined to share specifics. Instead, he points to a 34% lift in purchase-consideration as measured from ticket-buyers when compared to prospective auto-buyers who didn’t attend the tour. “It helps us know that we’re fishing exactly where the fish are,” Peyton says. [...] Honda's amped-up investment immediately places the brand among the most active spenders in music, let alone automotives, which for years have been led by Chevrolet.
Late last Thursday, I stopped at the fruit stand and some big, vivid red grapes caught my eye. The vendor said a two-pound bunch would be $6, which seemed steep. I was about to tell him as much, and then came to my senses and gave him the money. I wondered why I hesitated when it came time to pony up and realized that, as just one more participant in the Something for Nothing economy, I’d grown accustomed to getting all sorts of lusciousness for the price of zero.
Kickstarter said a new feature called “Launch Now” would be available to 60 percent of projects and expanded soon. That’s a formal way of saying that most creators will now be allowed to post what they’re working on without getting feedback and approval from Kickstarter.
Glamour Kills has launched its brand-new UK/Europe webstore, which expands the company's reach to over 40 new countries. They will now be shipping to all of Europe and they've got a 10% off coupon if you use the code GKUK14.
There's a new IndieGoGo campaign up to fund a documentary on Siberia's improbable punk scene in the 80's.
Directed by Vladimir Kozlov, this first-of-its-kind documentary uses rare footage of Siberian punk legends including the punk poet and songwriter Yanka Dyagileva and the controversial godfather of Russian punk Yegor Letov, along with contemporary interviews, to recount the story of Siberia's improbable punk scene. Arguably the very embodiment of underground, Siberian punk existed not only thousands of miles away from the movement's epicenters in New York and London but also at the height of the Cold War – a time when playing punk music might literally have landed you in… well,...
The news of Spotify’s growth comes as speculation mounts about the company going public later this year. The anticipation has grown as Spotify has advertised for SEC regulatory staff, agreed a $200 million credit line with several Wall Street banks, inked a partnership with Sprint wireless partnership, expanded in Latin America and acquired EchoNest, a data service.
Before you read these lists, a few things should be clarified. First of all, they aren't perfect: a few acts are out of place, or suspiciously off -- we'll try to address these below. You'll also notice that there are a few anomalies, and acts that aren't music-related (ie. Myth Busters, who you can rent for a mere $100k); Degy books speakers and corporate entertainment acts too, and a few slipped into these listings. Lastly, keep in mind that these lists aren't comprehensive and only contain artists booked through Degy.
On My Honor have launched an Indiegogo campaign to aid in several band-related expenses. The band will be supporting Hawthorne Heights for a short run celebrating the ten year anniversary of The Silence In Black And White. They will then be recording new songs for a future release and doing a full US tour in the summer. In addition to the causes of its financial hardships, the band has outlined what it will be doing with the money raised.
Gilligan, an AP.net reader, has created a PledgeMusic campaign to fund a book about the music industry. It will feature contributions from folks at such labels as Sony Music, Polydor, Matador, Kill Rock Stars, Don Giovanni, Fake Chapter and BaDa Bing Records. The campaign ends in a week, so check it out if you're interested.
So Gilligan, you’ve spent 17 years working in the music industry. What have you learned thus far?
1. Your Band Sucks
2. No One Is Honest
3. Clive Davis is a Moron
That about sums it up, but of course it’s no fun to stop there.
Rocket Heart Records' initial vinyl pressing of This Will Be Laughing Week will be 850 copies; with 500 on black, and 350 Coke bottle clear. In order to fund this pressing, as well as pay for the licensing rights, the goal for this Kickstarter campaign is $13,000. If funded, the record will be available in early Fall 2014.
A while back we reported on the "Secret Project" clothing line started by Ryan of Mixtapes. After hearing that the project had been shut down via Twitter yesterday, we reached out to find out what was going on. Ryan let us know that he has currently suspended the line as he's got too much other stuff going on. He let us know that he's going to refund everyone's money and send out the shirts that he did have made. If you have any issues at all you can send an email here.
My music career has been in decline for like ten years now. Music as a business is changing. I had to make a decision of whether to try something new. And I had this idea for a donut shop for years, so I thought I’d try it, even though it was something out of my comfort zone. It wasn’t that I love donuts so much or have a passion for donuts. I just had an idea in my mind that I thought was so good that I didn’t want to see anyone else do it. It was the idea of having a donut shop where you can do things to-order, kind of like a yogurt shop. And I just thought that I could do it.
At the same time, the all-or-nothing absolutism of Kickstarter funding also ensures that you only pay if production can realistically be achieved. In the case of the Healbe GoBe, you could spend $199 expecting to get one for yourself, but if the product isn’t popular enough, the company might take your money without delivering any tangible return. And that's not a rare occurrence, given that only 10 percent of Indiegogo projects are fully funded.
Imogen Heap has launched a Kickstarter for a pair of gloves that can control music programs with hand gestures.
We are making the first Mi.Mu gloves available to people who want to work with us to shift the paradigm of how music is made and performed. This Kickstarter campaign has been designed to take us from where we are now, having created a self-funded, elaborate, and wildly successful gestural music system with and for Imogen Heap, to finalising a design that can be open-sourced, allowing everyone access to the power of glove.
In an interview with Billboard, RZA claims that Wu-Tang Clan have already been offered five million dollars for their "one of one" album. Ok, so how much would you offer to be the only person in the world to own a copy of an album by your favorite artist?
And in a move that might seem redundant given the irony that she had already coated herself with, Lady Gaga invited the performance artist Millie Brown on stage to drink a bottle of neon green liquid and vomit all over her. Her actions — to happily shill for Doritos, then deliver a lecture on the importance of independent thought — perfectly encapsulate the conflicted state of the industry.
David Pakman writes an interesting piece for Re/Code on how much the average consumer paid for music at the height of music buying -- and then compares it to what is going on now.
The data shows that $120 per year is far beyond what the overwhelming majority of consumers will pay for music, and instead shows that a price closer to $48 per year is likely much closer to a sweet spot to attract a large number of subscribers.
Ascap, which represents millions of songs, had asked the court to raise Pandora’s royalty gradually from 1.85 percent, its current rate. Pandora sought a rate of 1.7 percent, which is what most commercial radio stations pay Ascap. The difference represents a potential shift of millions of dollars for the whole industry, and the case came to symbolize the economic conflict between technology companies and the traditional music industry.