Oh, absolutely. We’ve been talking around that idea for probably the last year or so. Like, “Are we going to do a Chroma tour now or are we going to wait until 10 years?” You know, this is the tenth year of Cartel. In October it will be ten years since we recorded The Ransom EP. So we thought “Well could we get away with just a ten year anniversary? We’d just play Chroma and a collection of other stuff. What are we going to do?” So we said, “screw it, we’ll just wait.” We’re close enough. It’ll definitely happen.

The downside of it though, is that it sort of marginalizes what you do, because there’s not the credibility of being on a label, or the push that a label gives you to help you breakthrough to press and blogs. So you kind of get lumped in with the unwashed masses of bedroom bands and high school garage bands, which is fine: there’s a lot of amazing music being made these days in bedrooms and by teenagers in garages. But in terms of trying to gain any sort of broad exposure for your band, especially when your band is just a bunch of late-20s/early-30s beardos, not having a label to hang your hat on makes it...

Humanism is something that lingered throughout the band’s work. I could write entire dissertations on Revenge, my favourite album, which for all its frenzied, explosive pace is at heart a response to the loss of the Ways’ grandmother. The lyrics, music and imagery on that album seared right into my soul as soon as I heard it – it’s like hearing a comic book on record, replete with all the atmospheric intensity and noir sophistication of visceral art. For me, nothing will ever top the guttural, breathtaking verse at the end of my favourite song, “It’s Not A Fashion Statement, It’s A Fucking...

I’d watch cartoons, and I would just kind of like… I would want to make them because there weren’t any limitations. Even at a young age, I didn’t see limitations. Like a cartoon could be of anything… Literally. I know I’ve been using that word a lot, but I try to only use it when it’s correct, so that I emphasize. A cartoon could be anything, and...

Honestly, I think everything is possible, but I do not think it’s something that is totally likely in the near future. It comes up every once in while, with people asking us if we plan to return, or offers come in reunite, but it never seems to be the right time. Everyone has other stuff going on, but I think that it is something that could eventually happen. I’m not sure how much older we could get and still do it though [laughs]. An older version of Blood Brothers? I’m not sure that would be any good. Anything is possible though.

As production gets cheaper, it’s like, let’s just give it straight to them and that way, the fans – they’ll decide what to do with it, if they support a comic or not. I heard something on NPR about self-publishing for writers, and how it used to be this black mark. It was the grossest thing you could do. But now, it’s just like, the writers are giving up to 80% of book sales, including Kindle sales, through Penguin releasing it or what have you. Now, they’re giving up like 10%. You ask a writer, and they’re like, we just don’t need them anymore. There are so many...

There will be one more Aiden album, mainly because I feel I left things on such a cliff in the midst of finishing our contract with Victory (Records). And like I said, I’m not the same kid that started Aiden anymore, but I do love Aiden and jumping around on stage. It’s a young man’s game though, and I’m not a young man anymore, you know? Warped Tour is a young man’s game. I want to appease the audience that has been with me and followed us for so long, but at the same time I feel sort of like a liar singing those songs on stage that I wrote...