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Seahaven - Winter Forever Album Cover
Author's Rating
Vocals 7
Musicianship 7
Lyrics 7
Production 7
Creativity 7
Lasting Value 7
Reviewer Tilt 7
Final Verdict: 70%
Member Ratings
Vocals 8.42
Musicianship 8.19
Lyrics 8.75
Production 7.81
Creativity 8.03
Lasting Value 7.86
Reviewer Tilt 8.56
Average: 82%
Inside AP.net

Seahaven - Winter Forever

Reviewed by: Thomas Nassiff (11/07/11)
Seahaven - Winter Forever
Record Label: Run For Cover
Release Date: November 8, 2011


It isn’t hard to be a passing fancy in music these days. Getting a song that catches on or writing a darling first EP and making a splash isn’t exactly something to applaud. It’s the work that comes after that first sense of getting your toes in the water that defines a band. The continuation of success, however moderate or humble, is what characterizes a band’s work ethic and it tells us, the listeners, whether the band has it in them to go a long way. Whether they have “it.”

For Los Angeles’ Seahaven, the next step of work is taking a good seven-song EP, improving on it, tightening the nuts and bolts, and coming out with a better LP. Now, in this case, the change isn’t very great – going from 7 tracks and 28 minutes to 10 tracks and 37 minutes isn’t exactly a huge leap forward. But writing 10 new songs and getting them to adhere to each other as well as the tracks on the Ghost EP did certainly comes with its fair share of difficulty.

Luckily for Seahaven, Winter Forever, its first full-length album, is a success in that sense. The record’s first three tracks – perhaps its strongest sequence – successfully snap the listener into attention at the album’s kickoff. “Goodnight” has already been heard in an acoustic format, but the full band version turns out to be a treat. Vocalist Kyle Soto starts a trend of memorable choruses when he sings: “I won’t feel a thing if you don’t / Feel what I feel and you’ll find faith to believe in God / God I need you, because I am familiar with the Devil / I’ve been waiting for the sun to come and dry up all this rain, but I’m caught out in the storm.”

Soto’s lyricism is just like that throughout the album – cutting, introspective and without too much self. He might be singing about himself and he might not be, but the fact doesn’t change that anyone can go along with his oddly melodious lines. The other two songs in that beginning trio, “It’s Over” and “Slowdown,” embody Seahaven’s knack for seemingly accidental hooks. It’s obvious that this quartet isn’t trying to be a pop band; they aren’t trying to overload the sugar by any means. Those hooks just happen, and when they surface up properly, they’re almost ridiculously on point. The stop-and-go rhythm of “Slowdown” might be the epitome of that.

Despite Seahaven’s natural foray into balanced levels of Brand New or Crime In Stereo-influenced indie punk and poppy undertones, not everything on Winter Forever gives off flashes of greatness. There are some missteps, and the album definitely bleeds together at times – a pretty big negative considering there are only 10 songs. “Save Me” is questionable at points, but that could stem from it coming after another highlight in the musically heavier “Black & White.” The acoustic “Honey Bee” is also another lapse, this one coming at a bad time in the eighth slot. It slows down any momentum built up from the fantastic “Understanding,” which is the undisputed album standout. Winter Forever ends on a solid note in closer “PV,” yet another track on the laundry list of songs where Seahaven turns an irregular melody into something soothing.

Winter Forever definitely lacks something, in the end. It’s an extremely solid record and, with the exception of “Honey Bee,” has notable consistency – a point I was looking for Seahaven to match from the holistic Ghost EP. But listening to this album just doesn't feel like an experience. It doesn't grasp me without letting go – it doesn’t make me turn off everything around me and want to get lost. That feeling is there in spurts, like in the strong early sequence and again in various songs, but it’s not there in regards to the full full-length – at least not yet. Comparing Winter Forever to a peer band’s recent debut with Balance & Composure’s Separation, there’s something in Seahaven’s sound that is leaving a void. There is some great songwriting on this album, and Kyle Soto’s voice is one of those that is so effortlessly unique and wonderful, it doesn’t even seem like he knows it at times. But there’s just a tiny punch missing in the equation.

When a band makes its first record, a sort of blind faith and, in some ways, a sense of naivety goes into it. It’s not that Seahaven doesn’t know what it’s doing – quite the contrary is true, I’m sure – but it’s that they probably don’t realize just how good they are at it yet. So, while Winter Forever definitely won’t be this band’s opus, how good they become in the future will be determined (again) by how well they can handle moderate success (which this record should find them) and how closely they can continue to match the infectious passion that makes Winter Forever so breathtaking at times.

7/10

Recommended If You LikeBalance & Composure or Crime In Stereo but with jumpier, catchier parts.
Bare Essentials01. Goodnight
02. It's Over
03. Slow Down
04. Thank You
05. Black & White
06. Save Me
07. End Of The World
08. Understanding
09. Honey Bee
10. PV
Purchase
 
Displaying posts 1 - 15 of 60.
10:22 PM on 11/07/11
#2
Drew Beringer
Senior Editor | @drewberinger | Locked Groove
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by and large I agree with this review, might have rated it a .5 higher, but that's about it, agree with the review, nice work.
10:24 PM on 11/07/11
#3
Thomas Nassiff
resuscitation of the year
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Might as well make this point up front since a 7 will probably seem like a shitty score to the whole world: I do like this record quite a bit. Some of the songs are fantastic. Please read the words as well as the numbers. Or don't. Whatever.
10:29 PM on 11/07/11
#4
Mochem
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7 sounds appropriate to me. Good but not great.
10:30 PM on 11/07/11
#5
jasurvival
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definitely got me biting my nails for this one. the "grasping and losing yourself" aspect of albums are what seperates the best from the good; and i wanted nothing more from this album than the best of the best. guess i'll find out tomorrow.
11:09 PM on 11/07/11
#6
Greg.Kushlan
Ghostbusting makes me feel good
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7 sounds appropriate to me. Good but not great.
That's the way I feel on my first listen, it's good but there's room to improve. I can see their next album being something great.

Also, did anybody get their download code tonight? I saw they were going to be sending them out tonight but I didn't see it in my inbox.
11:30 PM on 11/07/11
#7
HeavenResign
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Been meaning to check this band out. Didn't realize a new record was coming so soon. Thanks for the review!
11:44 PM on 11/07/11
#8
RyanFTW
ATTACK POP PUNK
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Been meaning to check this band out. Didn't realize a new record was coming so soon. Thanks for the review!
If you listen to the album, listen to the EP as well. They're both well done. The EP is stronger, but this album has some damn great songs on it that can be on par with the best songs on the EP.
12:34 AM on 11/08/11
#9
tigertiger
tigertiger.bandcamp.com
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Man, I love "Honey Bee". It's probably my favorite song on the record.
01:07 AM on 11/08/11
Drew Beringer
Senior Editor | @drewberinger | Locked Groove
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is it just me, or do you guys hear some Northstar in this as well?
02:07 AM on 11/08/11
coltenTALK
Make me grow up.
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buy this shit.
05:53 AM on 11/08/11
Quijiba
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fair score I think. I really like this record and i've been spinning it a lot, but as a critic I would have scored it very similarly
05:53 AM on 11/08/11
phaynes1
AP.NET ILLUMINATI
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Need to listen to this again. Liked it based on the first couple of listens last night.
06:13 AM on 11/08/11
Yogey
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It's good, but Id prefer ghost
06:55 AM on 11/08/11
Zack Zarrillo
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Wasn't really into Ghost. This record is really great though
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